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Quotations / The Best Bollywood Oneliners

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Tagged with quote, quotations, quotes, oneliners,Bollywood, dialogue, popular, monologue, lyrics, catchy

Last Modified May 21, 2008 at 09:58 PM PDT by MachoMan

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A list of Bollywood's all-time greatest and most popular oneliners. The list is based on the frequency of use of these movie dialogues in everyday life and the rating field is an indication of how widespread the use is (or was).

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Person	Where & When?	Quote	Why?
Ajit	काळिचरण (Kalicharan) - 1976	सारा शहर मुझे लोइन के नाम से जान्त&... सारा शहर मुझे लोइन के नाम से जान्ता है। (Saara shehar mujhe LOIN ke naam se jaanta hai)	Ajit's negative role captivated audiences so much that it gave birth to a new genre of Ajit jokes. The movie also popularized the use of 'Robert' and 'Mona' as common names for sidekicks in subsequ... Ajit's negative role captivated audiences so much that it gave birth to a new genre of Ajit jokes. The movie also popularized the use of 'Robert' and 'Mona' as common names for sidekicks in subsequent films (not to mention use in a plethora Ajit jokes).	view
Amitabh Bacchan	सिलसिला (Silsila) - 1981	में और मेरी तन्हाई अक्सर बातें कर&#... में और मेरी तन्हाई अक्सर बातें करते हैं। (Main aur meri tanhai aksar yeh baate karte hain)	Amitabh's dialogue delivered in his baritone has a high recall and is frequently used in romantic contexts.	view
Amjad Khan	शोले (Sholay) - 1975	कितने आद्मि थे? (Kitne Aadmi The?)	Probably the most popular oneliner of Bollywood movies judging by the numerous ad spoofs it has inspired. Sholay is replete with several memorable dialogues such as ‘Ab tera kya hoga Kaliya',... Probably the most popular oneliner of Bollywood movies judging by the numerous ad spoofs it has inspired. Sholay is replete with several memorable dialogues such as ‘Ab tera kya hoga Kaliya', 'Tumhara naam kya hai, Basanti' etc.	view
Amrish Puri	मिसटर इंडिया (Mr. India) - 1987	मुगेंबो खुश हुआ। (Mugambo Khush Hua)	This oneliner epitomizes the quirky Bollywood gangster, almost endearing him to his audience. It was & is used frequently to express joy and pleasure in mundane, everyday contexts.	view
Dimple Kapadia	बोबि (Bobby) - 1973	मुझसे दोस्ती करोगे? (Mujhse dosti karoge?)	This simple question created not just cinematic history, but also social history of sorts. It ushered in the era of the progressive Bollywood woman, modern (personified by a gorgeous Dimple in a sk... This simple question created not just cinematic history, but also social history of sorts. It ushered in the era of the progressive Bollywood woman, modern (personified by a gorgeous Dimple in a skimpy skirt) enough to offer friendship to her male counterpart. This was the absolute anti-thesis of the typical Hindi film heroine at that time, who shyly avoided simple eye contant (let alone body contact). The popularity of the line was evident in its cliched use as a 'pick-up line' in colleges across India.	view
Gulshan Grover	राम लखन (Ram Lakhan) - 1989	I am a Bad Man.	This was such a sensation that 'Bad Man' stuck as Gulshan Grover's nickname in real life. It has become a common 'oneliner' frequently used in levity.	view
Prithviraj Kapoor	मुग़ल-ए आज़म (Mughal-E-Azam) - 1960	अनारकर्ली, सलीम कि मोहब्बत तुम्ह... अनारकर्ली, सलीम कि मोहब्बत तुम्हे मर्ने नहीं देगी और हम तुम्हे जीने नहीं देंगे। `Anarkali, Salim ki mohabbat tumhe marne nahin degi aur hum tumhe jeene nahin denge.'	A Bollywood timeless classic. It is a favorite for expressing family resentment for one's love. The dialogue has been further immortalized by it's variant in an Ajit dialogue ('Oxygen ise marne nah... A Bollywood timeless classic. It is a favorite for expressing family resentment for one's love. The dialogue has been further immortalized by it's variant in an Ajit dialogue ('Oxygen ise marne nahin dega, liquid ise jeene nahin dega').	view
Raaj Kumar	वक्त (Waqt) - 1965	ये बच्चों के खेल्ने की चीज़ नहीं, ह... ये बच्चों के खेल्ने की चीज़ नहीं, हाथ कट जाये तो खून निकल आता है। (Yeh bacchhon ke khelne ki cheez nahi, haath kat jaaye toh khoon nikal aata hai)	Raaj Kumar packed an intense, suppressed anger in his tone to deliver this dialogue. Yet another classic from Bollywood.	view
Raaj Kumar	पाक़ीज़ा (Pakeezah) - 1972	आप के पाव देखे, बहुत हसींन है। इन्ह... आप के पाव देखे, बहुत हसींन है। इन्हे ज़मीन पर मत उतारियेगा - मैंले होजायेंगे। (Aap ke paon dekhe, bahut haseen hai. Inhe zameen par mat utariyega — maile ho jayenge.)	Raaj Kumar’s sonorous and dramatic delivery of this sentence in the movie was very impactful. Used to compliment beautiful ladies, it symbolized sublime, romantic chivalry in the Indian male.	view
Rajesh Khanna	आनंद (Anand) - 1970	बाबुमोषाय... Babumoshai…!	Rajesh delivery of the word in the movie was replete with love, warmth and affection. It also had a teasing quality to it. People often use it in an indulgent manner while conversing with buddies.	view

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Comments

mssyed, Jul 06, 2007 at 08:10 AM PDT said:
bahut acche hain...

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